A Carnivorous Beach/Meeting Aurelio.

For accompanying (interesting Cape Verdean) music, click play 🙂

Badia, by Mayra Andrade.

I am drifting through the desert of Terra Boa, on Ilha do Sal- one of the islands comprising the archipelago of Cape Verde.

At this current time, I do not know the name of this desert region. I do not know it is called Terra Boa- not yet. In about ten months, my apartment at Santa Maria will get burgled, and I will be forced to relocate.

I will move into a remote house located in the middle of the desert- in the middle of this desert. My neighbour’s name will be Timothy. He will pronounce it something like: “Timurtiu”. Probably something to do with the Portuguese accent- I will find it amusing.

About half of Timurtiu‘s right index finger will be missing. I will wonder how that happened. I will not live at the remote house in Terra Boa long enough to get to ask him how he lost half of a finger.


I am drifting through the desert of Terra Boa.

I’ve been having some strange thoughts flowing into my head recently. A while back, I was at a store. There was this bicycle for sale outside. At some point I found myself thinking:

Hmm, what if I spend the last few euros I have in my account on purchasing this bike, and then ride out far into the desert?

There’s this mountain visible in the distance. I could ride out to the base of the mountain and just like chill there for a while.

Hm, how do you get food out in the desert? Water? Shelter?

I don’t know, I don’t care. Let’s just buy the bicycle and get the hell out and into the extremely inviting desert.

I didn’t buy the bicycle. I later thought against that plan.

I stop to sit under a tree.

Except it’s not really a tree- its this very sparse shrub-like piece of vegetation that looks like it would be more like a tree if it wasn’t out here in the desert.

As I sit here on the floor, I soak in the view of the city. From the outside.

As I sit here and watch, a new awareness dawns on me very heavily:

I realize, experientially rather than just cognitively, that buildings are a human construct.

Initially there was just land in this place. Just land. Desert land.

And then at some point some human beings began to move about. They erected buildings with concrete blocks for shelter. They built roads, they set up electricity– They generally put together the structures and amenities that have now come to be perceived as an intrinsic foundation for, and a non-negotiable shaper of, human existence.

But I’m here right now, sitting under a tree in the desert, looking at the distant colony of humans up ahead.

I am not dead. I am alive. And I believe I am alright- I am okay. I am generally healthy, and not in any immediate danger.

Hm, so it is actually possible to exist outside all of these human-introduced conceptual and physical structures, and still be like alright? Hmmm!!

I take some more time to soak in this realization.


I am drifting through the desert of Terra Boa.

At some point I come upon a shelter. There is a man in the garden, tending to some plants. I call out to him, and we begin to talk.

His name is Aurelio. He is a considerably friendly guy. He has a farm of corn and beans at the back. Corn is used to make Cachupa- Cape Verde’s flagship meal. Beans is called Feijão. Feijão pedra.

Hmmmm. Feijão. Feijão pedra.

We keep talking. He talks about São Vicente- a different island in the Cape Verdean archipelago. Says parties are thrown there all the time. Party is Festa. I’m listening and learning with excitement.

Sao Vicente. Festa. Alright. Alright, I see what you’re saying.

We keep talking. We talk about me. I tell him about my studies in the US. He mentions his son who he sent to the US for studies. He talks about his son with pride.

We keep talking.

He asks me where I’m headed. I hint vaguely in the direction of the general desert area beyond us.

I mention to him the mountains I’ve climbed so far. He mentions that he also repeatedly climbed a number of mountains. When he was younger. I’ll spend some more time thinking about that clause. I’ll spend more time thinking about age. About age, and aging- and what that does to people.

He talks to me about Fiura. Fiura is the deserted shingle beach at the northernmost end of the island of Sal. Aurelio says people die there every year. Drown. People drown there every year. He says it’s almost like a part of the calendar.

People die at Fiura every year. People will die this year- it is expected.


In a few months, I will find myself at Fiura. I will head out of Espargos for a walk, and find myself at the very end of the island.

The beach there will be dull and misty and desolate and full of lonely black pebbles and pieces of string and net and wood, washed ashore from the fishermen’s boats. There will be a number of crumbling wooden shelters at the shore, under which fishermen probably sat during fishing breaks, for shelter from the sun.

There will be a rectangular hole in the ground which looks like a grave. I will lie in there- inside the hole, curious what life feels like from that perspective.

Standing ankle deep in the notably rough waters of Fiura, I will realize I never had the time to properly grieve a painful event involving a sibling Nigeria, until that very moment. Life in the past year was a whirlwind of classes and assignments and internship tasks and discount flights. The autonomous expression of grief was repressed and delayed by all of that.

The belligerent waves will astonish me. The waves at Fiura will be notably more rambunctious than any I have seen on the island. I will wonder what exactly it is that kills people at Fiura.

Is it the waves? The menacingly unruly waves? Or the pebbles? The black, suspiciously mute pebbles? Are they devilishly slippery? How much danger am I in?

Or is it something else? Something I’m not seeing? Something I am not thinking about? Something I do not know?

I met a man from Poland camping in a tent one morning at Calheta Funda. He said he arrived Cape Verde by boat. Did he come through Fiura? Was this where he came through?

Palmeira is Sal’s shipping port. Palmeira is at the western end of Sal. I will not know that at the time. I will not have visited Palmeira then.

I will spend a considerable amount of time at Fiura.

At some point I will realize I have to head back. Nightfall will be approaching. I will turn away from the ocean and begin to trek the desert miles ahead, on my way back to the man-made colony of humans.


I keep talking with Aurelio.

At some point he shows me a dining room at the backyard. The extended family has dinners here every once in a while. I think maybe I’ll come along some time.

He works at Palmeira. He is the manager of the Oil terminal there. The gasoline and diesel and oil and brought in by the arriving ships, are stored at the terminal, prior to distribution around the island.

He says it’s a considerably demanding job.


In a few months I’ll be at Palmeira. I’ll remember a man I met at Terra Boa who said he worked at the oil terminal. I’ll visit the facility. The security guard will be unwilling to pay me serious attention. His disposition will change at the mention of Aurelio’s name.

At some point I’ll be let in.

Aurelio will be very happy to see me, and he’ll show me around his workplace.

It will be an interesting day at Palmeira.


Image: Another beach, another country.

Calheta Funda: Ethereal Visions, Voyaging Discomfiture, Craggy Rocks and a Shingle Beach.

Ilha do Sal, Cape Verde.

February 2017.

Waves periodically crash against the black rocky shores of Calheta Funda.

 

I shift a little in the cave where I lie- the ground is hard and interspersed with pointed edges; I am shifting to minimize my discomfort.

[What song was I playing?]

There is a hole in the roof of the cave. I stretch my right hand outwards through it. Maybe cellular reception will be substantially better outside.

 


 

Waves periodically crash against the black rocky shores of Calheta Funda.

I am thoroughly heartbroken.

There are a number of unattended messages on my phone. A number of people wish to interact.

I do not want to talk to them. I do not want to talk to anybody.

I miss my girlfriend.

I’m scrolling through her pictures again. This is probably where I expend an inordinate proportion of my internet data budget- scrolling through pictures.

I miss my girlfriend.

It feels like I have the emotional space to care for very little else. People wise? Nobody. I do not feel like I have any room to spare. The entirety of my emotional insides feel thoroughly wounded.

I was watching the waves earlier in the afternoon. The rippling crest of each wave looked like a troop of glittering translucent horses, each racing all of the others-determined to reach the shore first.

The wave crest had layers of these ripples- these horses. And every few seconds, a new layer of water horselets would clamber over the row preceding it.

I found it fascinating.

 


 

Yes, cellular reception is indeed better outside the cave. I withdraw my arm. The page on the screen is done loading.

I think back to a number of popular scary stories I used to hear people tell when I was younger. In Nigeria. Superstitious stories. Stories about mermaids that transformed themselves into beautiful women, with the intention of wreaking havoc on the lives of men.

And apparently being alone right next to the sea at night had its caveats, because these very dangerous women could emerge at anytime to accost one.

I have been sleeping in this cave for a number of days. No maleficent mermaid has come to demand rent from me, not yet.

Psht. Nigerian superstitions.

 

The sound of the waves is calming once you get used to it. It’s very easy to learn to see the waves as your friend- the ocean as your bosom companion on your solitary, amply-apprehension-inducing expedition.

Bosom companion my foot. I got back from the city the other day and virtually all of my food supplies were gone. One half of my pair of skateboarding shoes. The entire pair of the Italian shoes- the ones I only ever wore like once- with the suit in San Francisco.

I searched and searched in vain.

Bosom companion my foot.

Please make calming soothing sounds as much as you want, just don’t touch me or my things ever again.

I very recently learnt of the term “Shingle beach”. It’s a beach consisting of rocks- smoothed and rounded by progressive weathering by the waves, in lieu of sand. I did not know that before.

“Shingle beach”. Hah.

I shift a little in the cave.

I have very little money left. I’ve inserted discreet job-hunting into my island exploration bucket list.

 

Virtuality the entire rectitude of my future plans depends on some research I am conducting- which in turn is presently typified by a piece of computer code I am working on.

A piece I have been working on for more than a month now.

I wonder what sort of an impression a person who had very little experience with technology, would have of my current situation.

 

Like, hey. Hey, look at me. I am pushing a number of black buttons on this silver piece of metal. Is there some sort of reason to my pushing these buttons? Some sort of order? Some sort of rationality?

Who knows?

The meaning is only known to me. I believe I know what I am doing. Against all of the scaldingly adversarial social currents. To you I might as well be a monkey at a piano.

And yes. Here I am- on this island where I know absolutely no one- in this country within which I know absolutely no one personally. and my entire future and my entire life is reliant on the sensibility of all of these my disconcertingly abstruse endeavours.

Hah.

Goodluck to me.

Good good, luck to me.

I am playing a metal song I just downloaded. I’m not particularly sure what the singer is saying. I think the volume is too high.

But it’s Metal. There is really no such thing as the volume being to high, is there.

I am outside the cave now. I am staring into the stars.

I hear people’s voices in my head. People I know- people I used to know. I can hear them talking. Not to me, no. About me. I can hear these people talking about me. I am not sure what it means.

You know how feel when someone you hold in some sort of regard, gives you a compliment? Yeah? Good?

This is like that, but the other way round. Like I feel a particular way, and then in my head I hear these people saying things about me, that usually would inspire that sort of a feeling.

Like inverted ethereal complimenting. I am not really sure what it means, or what purpose it serves- not really.

The Metal song is still playing.

 


 

Waves periodically crash against the black rocky shores of Calheta Funda.

The moon is floating in the sky, entirely immersed in adoring its glamorous reflection in the black waving water.

I am thoroughly heartbroken.

Crystal black sky.

Stars.

The Metal song is still playing.